Joseph “Nin-Nin” Reinhardt (1912-1982), a talented rhythm guitarist, played a crucial role in Django Reinhardt’s pre-war recordings. As part of the “Quintette du Hot Club de France,” they pioneered Gypsy jazz, with Joseph’s steady rhythm providing a foundation for Django’s virtuosic leads.
Despite being overshadowed, Joseph’s contributions were vital, shaping the group’s sound. His dedication and musicality left an undeniable mark on Gypsy jazz. Joseph’s legacy endures, appreciated by jazz enthusiasts worldwide.
As a rhythm guitarist, Joseph “Nin-Nin” Reinhardt primarily contributed to the recordings of the “Quintette du Hot Club de France,” which was led by his brother, Django Reinhardt. Unfortunately, rhythm guitarists, especially from the early jazz era, often don’t have discographies under their own names since they mainly played supporting roles in larger groups.
That being said, Joseph Reinhardt was a significant contributor to many of Django Reinhardt’s recordings. Some of the notable albums that feature Joseph Reinhardt’s rhythm guitar playing include:
“The Quintette du Hot Club de France” (1934-1935)
“The Quintette du Hot Club de France with Django Reinhardt and Stephane Grappelli” (1934-1937)
“Django Reinhardt and the Quintet of the Hot Club of France” (1937-1938)
“Swing de Paris” (1936-1940)
“Djangology” (1949)
These are just a few examples, and Joseph Reinhardt’s contributions to the world of Gypsy Jazz go beyond these particular albums. His rhythm guitar playing can be heard on many other recordings by Django Reinhardt and the Quintette du Hot Club de France.
